196 Royalty-Free Audio Tracks for "Piano Keys"

Just something i threw together in the early morning. The sound has a dark vibe to it, which is helped by the minor chords.

A sample of a pedal on an out-of-tune upright piano being hit really hard.

A neat little sad piano sample i made in fl studios. Have fun and drop a link if you make anything, i'd love to see it :).

This was just a simple test to figure out how to work with freesound. Org. A quick, jazzy improvisation on the piano on a dm key.

Synth piano phrase looping. Warm mild sunny autemn.

Short unused chop of a drake type beat.

Made with intimate piano by cinematique instruments and spiced with delay and distortion effects :).

You can use this music in your videos. This sound was created with layering and frequency processing. Bpm 110key f# maj.

Simple repeating motif over major and minor chord switch. Interlude maybe.

Playing random tunes but reversed them to make it sound like nice suspense, sounds processed with synthesia and virtaulmidisynth, recorded in audacity.

I wrote and designed this little "abstract-piano" piece exclusively for thefreesoundproject. Haven't seen too many abstract-type piano sounds out there, maybe i'm just weird like that, lol. . Merry christmas & a happy new year to all - 2007!.

A music fragment in f sharp pentatonic with a dramatic sound improvised at the piano.

This sound came from a sample pack called "pianoroom vol. 1". It's contain a hundred samples from a record session i did of my piano.

I decided to tinker around on an old kid's practice first act piano. There are metal rods inside that are struck, and produce a plink/ringing sound. It is also out of tune, which makes it wonderful for producing an eerie feeling when played in a minor key.

A small clip of an improvised, uplifting piano song. Could probably be looped if desired. Key of c major. Played on a kimball upright piano (which is slightly out-of-tune) and recorded with a tascam dr-40x on top of the closed upright cabinet.

Schubert, "Gute Nacht", piano link to the final verse, where the key changes from minor to major.

Half-assed multisampling of highly damaged toy piano in my grandmother's attic. One strike of each key, then some random hits and glissandos. Recorded with a sony pcm-d50.

A recording of a fender rhodes through a fender reverb amp using a se tube mic. Feel free to sample and use this recording. Check out my tunes at:. Www. Soundcloud. Com/telescope_thieves.

Dark night - piano sad mood drama slow chill thriller cinematic experimental modern atmo music surround.

This sound was created with layering and frequency processing. You can use this music in your videos. Bpm 128key a maj.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in fl studio 20.

Synth phrase looping. Seven youths. Fl studio.

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), Ernest Elliot (clarinet), Clarence Williams (piano).

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

The flea waltz recorded on my keyboard with dsk music box (a free plugin). It's a famous melody everyone has normaly already heard, piano beginer usualy learn this because it's very simple. If you have any suggestion to make for an other similar sound please ask me.

Old sample i created for a rap beat. . . I guess experimental. . I created w/ fl 5 in 2005. Has a voodoo tribal vibe to it. Has strings, pad, and a very low piano key with each hit. Also has percussion. . Reverse cymbal.

Banging away on an old toy piano in my grandmother's attic that is in a dire state of disrepair. I am uploading another recording where i attempted to get full, useful samples of each key. . Many of them are stuck together and/or broken. Recorder: sony pcm-d50.

This is me playing the ancient (very rare) notes which bach created being really drunk. I'm a classics master, so i worked really hard to play it perfectly just as the note sheet says. Feel free to use anywhere, it's classic!(created with care using ableton, grand piano and 2-octave keyboard).

Hope you can find this loop useful! post a comment with your beat or song if you use it, i'll try and check it out! check out my website for more free sounds, tools & kits!. Https://newnationllc. Com.

Two pianos producing melody and at time contrapuntal sound. Also, at times a faint chorus backing and weird vocal effect. In wav. Uplifting transition or background. Chop it about as you like.

Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.

An ambient loop created in logic 9 using stock synthesizers testing newly constructed patches. Key: em. Bpm: 140.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to c9 with a short sustain. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. Minimal post processing on these. Just enough to get them roughly even in terms of overall volume.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

Here's a little chord loop i made. Please, if you use it, could you give me the links to your projects in the comments down below :)? thank you in advance and i'm looking forward to see your creativity!. Enjoy!. Information:key: c minor. Tempo: 125 bpm.

Created this by saying something like, "testing the mic" in ableton, right clicking and converting that audio. Midi > into melody. . Then adding some stock sound and some reverbs and what not. . Try it yourself.

Chord progression played on a kurzweil 2500rs synthesizer in a-minor key. The mood is dreamlike, melancholic and nostalgic. The instrument is a mix of piano and strings and ends with a long reverb tail. Could fit a soundtrack or an ambient track.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

I composed this out of feeling and added the background violin after. I like the keychange in it. I'm a producer but wasn't really sure what to do with it after so i uploaded it here. As i often grab some of my files from here as well. Enjoy!. Let me know if and where you use it, i would love to know.

Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.

A quiet ambient loop, with a sweet melody. Hope it comes useful to you!. . More songs and loops here:https://soundcloud. Com/kilua-boy. All my works are free to use, of course. Do whatever you feel with them, butremember that credits helps a lot!. (sometimes i tweet here: https://twitter. Com/boykilua). Thanks, kilua boy.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Creepy but sweet music i made in garageband for something called victors crypt!. It starts full on with drums, bass and guitars and more. I added strings, piano and key-instruments for an eerie yet groovy vibe. In the drumbreak i let a flute do the talking. I believe this could be used for and intro/outro, something a bit scary, spooky, weird, thrilling, horrific, cool or anything you can think of. You'll be the judge. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte